【最新作】尼库曼酱/肉欲

　　(甘)网影审字(2022)第001号，甘肃未来影业有限公司

　　十六岁的帕蒂（克里斯蒂娜·里奇 Christina Ricci 饰）正值叛逆的年龄，个性高傲的她谁都不放在眼里，唯一在乎和喜爱的是自己饲养的一只名叫“DC”的宠物猫。每当夜幕降临，生性自由的DC都会偷偷地溜出门外，一次误打误撞之中，它竟然光顾了一宗绑架案的案发现场。受害人将DC看做了最后一根救命稻草，将刻有求救信息的表留在了DC的身上。　　很快，帕蒂就发现了神秘的求救信号，她将这一消息报告给了当地的警局，却被当做是恶作剧给赶了出来。一气之下，帕蒂来到了波士顿寻找FBI警探，为了打发这个小鬼头，警局任命糊涂警探瑞吉（Doug E. Doug 饰）负责此案，一男一女一只猫开始了他们惊心动魄的大调查。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment