凛音とうか – LOVE MOMENT
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剧情提要
暗夜精选
基佬四十
林子祥,陈小春,吴镇宇,伍咏薇,林建明,毛俊辉,舒淇,杨恭如,张坚庭,张同祖,袁咏仪无名之町
福山雅治,有村架纯,成田凌,生田绘梨花,木村昴,森永悠希,秋山宽贵,犬饲贵丈,冈崎纱绘,森崎温,丸山智己,滨田麻里,伊藤淳史,生濑胜久,仲村亨熊出没之过年
张秉君,张伟,辛媛,万丹青,谭笑,刘思奇,马浩伦不是闹着玩的之欢乐喜剧村
白凯南,于根艺,赵子漪,曹随风,王彤,苌哲涛,沈贝娜,秦梦瑶红杏出墙1948
雷克斯·哈里森,琳达·达内尔,鲁迪·瓦利,芭芭拉·劳伦斯,库尔特·克罗伊格赎梦
张家辉,刘俊谦,陈法拉,袁富华,朱晨丽,李凯贤,袁绮雯,许恩怡,刘德华摇摆乐时代
弗雷德·阿斯泰尔,金杰·罗杰斯,维克托·摩尔,海伦·布罗德里克,埃里克·布洛尔,贝蒂·弗内斯,Georges Metaxa同系列推荐
购物女王
秦海璐,范逸臣,翁家明,区宁,刘品言,徐洁儿,包伟铭,包小柏远古狂蟒
Diego Escobar,Giselle Garci,Hannah Hueston,Jordan Iverach,菲利浦·卡纳,多米尼克·基汀,Maureen Kedes惊夜有囍
王梓薇,刘俊孝,秦牛正威,胡轩齐,钱冬旎,李龙,王志鹏时空访客
让·雷诺,克里斯蒂娜·艾伯盖特,克里斯蒂昂·克拉维埃,马特·罗斯,塔拉·雷德岳父岳母真难当2
克里斯蒂昂·克拉维埃,尚塔尔·罗比,阿里·阿比唐,梅迪·萨东,弗雷德里克·周,诺姆·迪亚瓦拉,弗雷德里克·贝尔,茱莉亚·皮亚彤,艾米丽·卡恩,艾洛蒂·丰唐,帕斯卡尔·恩佐济,萨丽马特·卡马特,塔蒂亚娜·罗乔,克劳迪娅·塔格博,海迪·布奇纳法,洛伊奇·勒让德,吉勒·科昂,菲利普·贝利亚,贝特朗·科姆异形魔怪5:血统
迈克尔·格罗斯,杰米·肯尼迪,Ernest Ndhlovu,Lawrence Joffe,Zak Hendrikz,娜塔莉·贝克尔,Emmanuel Castis,布兰登·奥雷,丹尼尔·詹克斯,Jarrod Pinto,Rea Rangaka,Ian Roberts,Sello Sebotsane,Pearl Thusi幕后花絮
嗨,妈妈!
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
拍拖故事
两个学校的朋友决定开始假装直恋以适应。